Hellboy Web of Wyrd on Steam - User reviews, Price & Information
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Hellboy Web of Wyrd is a roguelike action brawler with an original story created in partnership with Dark Horse Comics and Hellboy creator Mike Mignola. When an agent of the B.P.R.D. goes missing, Hellboy is sent to investigate; pulling him into the depths of the Wyrd.
Hellboy Web of Wyrd is a action, adventure and action roguelike game
developed by Upstream Arcade
and published by Big Fan Games.
Released on October 18th 2023 is available only on Windows
in 8 languages: English, French, Italian, German, Spanish - Spain, Portuguese - Brazil, Russian and Simplified Chinese.
It has received 701 reviews of which 515 were positive and 186 were negative resulting in a rating of 7.0 out of 10. đ
The game is currently priced at 24.50⏠on Steam, but you can find it for 9.65⏠on Instant Gaming.
The Steam community has classified Hellboy Web of Wyrd into these genres:
Media & Screenshots
Get an in-depth look at Hellboy Web of Wyrd through various videos and screenshots.
System requirements
These are the minimum specifications needed to play the game. For the best experience, we recommend that you verify them.
Windows
- OS: Windows 10 64-Bit
- Processor: Intel Core i3-4160 (2 * 3600) or equivalent, AMD Ryzen 3550H (4 * 2100) or equivalent
- Memory: 8 GB RAM
- Graphics: GeForce GT 640 (2048 MB)
- Storage: 3 GB available space
- Additional Notes: Does not run on pre Ryzen 5 AMD CPUs, intel CPUS (Core i3, 2014) do support the game.
User reviews & Ratings
Explore reviews from Steam users sharing their experiences and what they love about the game.
One of those games that I can only recommend if you own a Steam Deck. Not sure what I was hoping for, but I've put off buying this game for 2 years, in hopes it would be less clunky and more refined in a couple of years: it is not. I think it's more of a Proof of Concept for Big Fan Games, that they can handle a relatively notorious IP and bring it a fresh lick of paint. Combat is clunky, maps are repetitive - all in all a 6/10 experience if I judge the game for what it wants to be: a portable rogue-like. Not having Ron Perlman as a voice actor sucks balls - but Lance Reddick did a terrific job too. Voice acting is great - but the actual lines are uninspired and vastly underwhelming, so it took all of the creativity of the voice actors to make them sound quasi-interesting. I wish there was a "meh" recommendation, as this game would genuinely fall in that category - but giving it an upvote purely because I love Hellboy.
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Overall: 6.5/10 Story: As a very casual Hellboy fan who has only seen the Guillermo del Toro films featuring Ron Perlman (and several years ago at that), I went into Hellboy: Web of Wyrd with no prior expectations for its narrative. Iâve never read the comics, so I wasnât sure if Iâd be missing out on important context or references. Thankfully, the gameâs story stands entirely on its own, with a completely original narrative and cast of characters. As a result, what struck me immediately was how accessible the story felt. Whether youâre a longtime Hellboy enthusiast or someone brand new to the world, the game does a fantastic job of introducing its unique universe. The writing leans into the quirky, dark humorous tone that fans might associate with the character, but it never felt alienating as someone unfamiliar with the deeper lore. The plot revolves around a mysterious structure called the Butterfly House, which serves as a gateway to bizarre and dangerous realms. Hellboy is sent into the chamber to investigate after another agent goes missing, and from there, the game takes you on a journey through a series of eerie, otherworldly environments. The narrative balances supernatural intrigue with Hellboyâs trademark dry wit, who is masterfully performed by the late, great Lance Reddick (rest in peace, legend), which made the story entertaining and kept me invested. The original characters also stood out. They felt well-realized and added layers to the unfolding mystery. While some of the twists were a bit predictable, the journey was still engaging enough to hold my attention. Additionally, The narrative's chapter structure worked well for the comic book-inspired style, and I appreciated how each segment had its own mini-arc that tied into the larger story. Gameplay: The gameplay is undoubtedly one of if not THE biggest focus, but unfortunately, it falls short of being truly engaging. Itâs not that the combat is overly difficult by any means; itâs just that even when you meet the game where it's at and engage with the mechanics on their terms, the experience still just feels slow and repetitive. As a roguelike, some repetition is par for the course, but due to the middling quality of the gameplay here, that sense of redundancy sets in much faster and hits way harder than youâd expect. Youâve got your standard mix of heavy and light attacks, dodge/block mechanics, and a couple of different charms and guns sprinkled in to add variety. While these tools help to shake things up a bit, they donât do enough to elevate the experience beyond "serviceable." To be fair, there were moments where the combat clicked, and I genuinely had fun; itâs not outright bad. That said, those moments felt fleeting as the core combat loop quickly ran out of steam, and the best word I can use to describe it is mediocre. By the time you hit the 3â4 hour mark, youâve effectively seen all the gameplay WoW has to offer, and thatâs a tough pill to swallow in a 10â12 hour narrative. World: When it comes to the world and level design, I found myself torn between admiration for its aesthetic and frustration with its execution. The game leans heavily into its comic book roots, with environments that feel like panels brought to life. The cel-shaded art style is undeniably striking, and the moody lighting adds an extra layer of depth that complements the dark, supernatural tone. However, once the initial awe of the visuals wears off, the cracks in the level design start to show. Many of the areas lack the complexity or variety youâd expect from a game set in such a rich, otherworldly universe. Corridors and rooms often feel repetitive, as though the game is content to recycle layouts with minimal effort to disguise them. While the Wyrd is CONCEPTUALLY a place of endless mystery and danger, the actual exploration feels disappointingly linear. The sense of mystery is further diminished by how predictable the pacing becomes. Most levels fall into a repetitive rhythm of âwalk here, fight the same enemies unique to that level, repeat,â which makes the world feel less alive and more like a series of combat arenas stitched together. This is a shame because the lore and visual details hint at deeper potential thatâs left untapped. I wanted to linger in these spaces, uncover secrets, and feel immersed in the Wyrd, but the game rarely rewards curiosity in meaningful ways other than general health and blessing pickups. On the plus side, the environmental storytelling is strong when itâs present; subtle details like scattered relics or ominous architecture do an excellent job of setting the tone. Itâs just a shame that these moments feel like isolated gems rather than a bigger part of the experience. Visuals: As someone whoâs never read the comics, all I knew to expect visually from WoW was the general vibe and art style, which I was already a big fan of coming in. The bold, cel-shaded aesthetic and the heavy, dramatic lines give the game a unique personality. Itâs the kind of visual direction that makes every moment look like it could belong on the pages of a graphic novel. Even without familiarity with the source material, I found myself captivated by how the style pulled me in. That said, the lack of animated cutscenes was a bit of a letdown. Iâm someone who enjoys seeing scenes brought to life in motion, and static panels of characters just standing there left the storytelling feeling a little flat at times. Nevertheless, I could tolerate it here because it aligns with the comic book-inspired design. Itâs an artistic choice that makes sense in this specific context; All the same, in a game without this visual foundation, this approach would have felt far more out of place and jarring. Despite this, the visuals remain a highlight. Theyâre striking, immersive, and undeniably memorable. While the visual storytelling methods left me wanting more, the cohesive aesthetic helped keep the overall experience engaging. Music/Sound Design: The audio elements are a mix of great highlights and a few missed opportunities. Starting with the music, the score is undeniably immersive and does a fantastic job of setting the dark, atmospheric tone that fans of Hellboy would expect. The brooding melodies and eerie undertones fit the supernatural themes of the game like a glove. Yet, the biggest issue with the sound design is the lack of variety in the music. While whatâs there is excellent, it quickly starts to feel repetitive during extended play sessions. I think a wider array of tracks or more dynamic shifts could have elevated the overall experience significantly. On the sound design front, I really don't have many gripes. The effects are crisp, punchy, and well-layered, whether itâs the boom of a fist, the metallic scrape of a weapon, or the guttural roar of an enemy. Each sound immerses you further into the Wyrd, making moments feel more alive and visceral. As for the voice acting, itâs genuinely impressive across the board. Of course, as previously mentioned, Lance Reddickâs portrayal of Hellboy is a very significant highlight that delivers a powerful, gruff, and nuanced performance that I personally feel does the character justice. However, whatâs surprising is how strong the entire cast is. Every character feels distinct and well-acted, further adding immersion and personality to the story, while giving you more incentive to actually listen to the impressive dialogue. TL;DR: Web of Wyrd is a solid step forward for Hellboy games, capturing the characterâs tone and world beautifully with unique visuals and Lance Reddickâs stellar voice performance. However, repetitive gameplay and limited level variety hold it back a LOT. I recommend it for the fan service aspect it provides, but even if you're a fan that has prior sentiment toward the character, you'll more than likely struggle to stay engaged long-term, so I really can't recommend it to anyone who doesn't know or care about Hellboy.
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It's a very short game and you don't know that it's a "Rogue Like" game. But If you are okay with that, learn the combat, then it's really fun. It takes some time to get use to with the still "cut scenes". But once you realize they're trying to make it like the comics, then you get it. Sad to see they already forgot about this game and didn't do any DLC . If you are a Hellboy fan you'll like it.
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A very basic roguelike with a simple story, but it more that makes up for it with incredible graphics.
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Flawed, but fun. The combat is just "better than bad" which is a problem, because brawling is all you do. The boxing controls can be touchy, and the tells aren't always obvious so you have to memorise some tough enemies entirely by trial and error: Tsar Vodyanik (the fourth boss) is as far as I got in my first night playing, and apparently only 24% of players beat him, which sounds right to me because all his attack windups look the same. The relics are useful, but I really only use the one that deals damage because why would I not? Guns are really where the game shines. Each one has a unique advantage, either stunning foes, pushing them away, or dealing a lot of damage. And these effects are balanced by the small ammo capacity and slow reload times. Using them effectively has a lot of strategic depth and feels really rewarding, which is nuts because it's the simplest combat mechanic. Gunplay is really the mortar that holds the combat wall together. I'm making a big deal out of it because the amount of fun that can be squeezed out of tapping X a couple times per fight is unreal. I'll level with you, I bought this because it had the Hellboy name on it. That's probably the only reason you're looking at it too. It's worth it. The aesthetic and the mood are all perfect. It really does look like Mignola drew the whole damn game. That said, the actual design of the interactive experience isn't what I wanted. It's fun enough I'm still playing it, but I would have preferred a more exploration-focused game; less arcade brawler and more PS1 Resident Evil. As it stands, all the scenery is just eye-candy with no real purpose: you walk through halls, get into fights in big empty rooms, and that's it. When you find a broken statue in front of a crumbling house, you can't knock the statue aside and sift through the ruins for cool clues or interact with any of the scenery, it's all just wallpaper. So, like, a 6/10? Great presentation, so-so game design, but with a gun system I genuinely hope becomes a genre staple in the future it's so good. Fuck it. 7/10. The guns bump it up a point.
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Last Updates| Steam data | 08 April 2025 08:08 |
|---|---|
| SteamSpy data | 13 April 2025 22:24 |
| Steam price | 15 April 2025 04:33 |
| Steam reviews | 13 April 2025 10:08 |
If you'd like to dive deeper into the details about Hellboy Web of Wyrd, we invite you to check out a few dedicated websites that offer extensive information and insights. These platforms provide valuable data, analysis, and user-generated reports to enhance your understanding of the game and its performance.
- SteamDB - A comprehensive database of everything on Steam about Hellboy Web of Wyrd
- SteamCharts - Analysis of Hellboy Web of Wyrd concurrent players on Steam
- ProtonDB - Crowdsourced reports on Linux and Steam Deck Hellboy Web of Wyrd compatibility
Online players
4
Developer
Upstream Arcade
Publisher
Big Fan Games
Release
18 Oct 2023
Platforms
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