BioShock™ on Steam - User reviews, Price & Information
BioShock is a shooter unlike any you've ever played, loaded with weapons and tactics never seen. You'll have a complete arsenal at your disposal from simple revolvers to grenade launchers and chemical throwers, but you'll also be forced to genetically modify your DNA to create an even more deadly weapon: you.
BioShock™ is a fps, atmospheric and story rich game
developed by 2K Boston and 2K Australia
and published by 2K.
Released on August 21st 2007 is available only on Windows
in 5 languages: English, French, German, Italian and Spanish - Spain.
It has received 30,655 reviews of which 28,885 were positive and 1,770 were negative resulting in an impressive rating of 9.2 out of 10. 😍
The game is currently priced at 4.99€ on Steam and has a 75% discount.
The Steam community has classified BioShock™ into these genres:
Media & Screenshots
Get an in-depth look at BioShock™ through various videos and screenshots.
System requirements
These are the minimum specifications needed to play the game. For the best experience, we recommend that you verify them.
Windows
Minimum:
- Operating System: Windows XP (with Service Pack 2) or Windows Vista
- CPU: Intel single-core Pentium 4 processor at 2.4GHz
- RAM: 1 GB
- Video Card: Direct X 9.0c compliant video card with 128MB RAM and Pixel Shader 3.0 (NVIDIA 6600 or better/ATI X1300 or better, excluding ATI X1550)
- Sound Card: 100% direct X 9.0c compatible sound card
- Hard Drive Space: 8GB
- Game requires Internet connection for activation
User reviews & Ratings
Explore reviews from Steam users sharing their experiences and what they love about the game.
Rating: 10/10 BioShock, released in 2007 by 2K Games and developed by Irrational Games, is one of the most iconic and influential FPS games of all time. Combining deep storytelling, immersive world-building, and unique gameplay mechanics, BioShock delivers an unforgettable experience that blends philosophical themes with tense survival horror elements. Whether you're exploring the haunting underwater city of Rapture for the first time or replaying to catch every detail, BioShock remains an absolute must-play. Why BioShock is a Timeless Classic 🌊 Incredible Setting – Welcome to Rapture The game’s biggest strength is Rapture, a beautifully crafted underwater dystopia, built as a utopia of freedom and innovation but ultimately destroyed by greed, power, and madness. From the moment you descend into the ocean, the game grips you with its haunting atmosphere and stunning Art Deco architecture. 📖 A Deep and Thought-Provoking Story BioShock is more than just an FPS—it’s a narrative masterpiece. It explores themes of free will, objectivism, and morality, heavily inspired by Ayn Rand’s philosophy. The story twists and turns in unexpected ways, leading to one of the most famous plot twists in gaming history. 🔫 Satisfying and Unique Gameplay The mix of guns and Plasmids (genetic powers) creates incredibly fun combat. You can freeze enemies, set them on fire, electrocute water puddles, or turn enemies against each other. This freedom allows for creative and strategic encounters. 🧬 Little Sisters and Big Daddies – A Moral Dilemma Throughout the game, you must decide whether to harvest or save the Little Sisters, which affects the story’s outcome. Protecting or fighting the terrifying Big Daddies, their monstrous guardians, makes for some of the most intense fights in the game. 🎶 Incredible Sound Design and Atmosphere The eerie 50s-era music, distant whale calls, and creepy echoes of insane Splicers roaming Rapture make every corridor unsettling. The voice acting is also top-tier, with unforgettable performances that bring Rapture’s tragic inhabitants to life. Any Flaws? ❌ Some Clunky Combat Mechanics The shooting mechanics can feel a little stiff compared to modern FPS games, but the unique powers and strategy compensate for this. ❌ Hacking Minigame Can Be Repetitive Hacking turrets and vending machines is useful, but the pipe-connecting minigame gets old fast. Fortunately, later games refined this mechanic. Conclusion BioShock isn’t just a great game—it’s a work of art. Its story, setting, and atmosphere make it a must-play for any gamer who loves deep narratives and immersive worlds. 🔹 Rating: 10/10 – A masterpiece that still holds up today. Would you kindly play it?
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After all these years of Bioshock being released, it is still a wonderful classic that needs to be experienced to the highest degree by anyone. The story is well-crafted, the mechanics are addicting, and the ambience and sound effects are beyond the time that it was created for, and still is even to this day. I can not express this enough, do yourself a favor, and would you kindly buy this game?
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Would you kindly stop scrolling and read this review Bioshock was groundbreaking in the way it introduced many gamers to an obscure art style and a niché political philosophy; namely art deco and objectivism. Both of these are weaved into the games DNA and helped to create its iconic look, deeply immersive and memorable world, and its well written story and characters. The opening few minutes are also iconic and almost perfect in the way they introduce the player to these two concepts, as well as to one of the game's antagonists, Andrew Ryan. It is mostly on the rails and involves lots of delightful visual storytelling as well as a recorded speech from Ryan. As the haunting music sores your 'ride' culminates in a sudden reveal of Bioshock's underwater city, Rapture, a place founded by Ryan in the hopes it would become an objectivist utopia. "[I]I am Andrew Ryan, and I'm here to ask you a question. Is a man not entitled to the sweat of his brow? 'No!' says the man in Washington, 'It belongs to the poor.' 'No!' says the man in the Vatican, 'It belongs to God.' 'No!' says the man in Moscow, 'It belongs to everyone.' I rejected those answers; instead, I chose something different. I chose the impossible. I chose... Rapture[/I]" On arriving in the city it quickly becomes clear that Rapture is far from a utopia and that something has gone very, very wrong. Now I'm no political expert, but it's obvious from Andrew Ryan's opening monologue that this is a world built on objectivism. As I understand it, objectivism, a philosophy cooked up by Ayn Rand, is a form of right wing, hyper libertarianism, married to extreme capitalism. If selfish greed were a political philosophy, it would be objectivism. The needs of the few outweigh the needs of the many, as a mirror universe version of Spock might say. Bioshock isn't a celebration of Rand's politics though; as you explore Rapture you'll quickly realise through the narrative that this is a critique of Ayn Rand's political philosophy. It turns out that in an underwater city where everyone is working for themselves, nothing useful or necessary gets done and there's no-one to do the menial, less 'creative and fulfilling' jobs; those jobs that are vital to maintaining and running a vast underwater city. There is also no money to pay the people who are needed to do those jobs, and no supervision. The citizens of Rapture also discovered a substance called Adam. When refined into a Plasmid, Adam rewrites a person's genetic material, giving them superhuman abilities. One of the downsides of plasmids use is their addictive qualities and they can also cause mental and physical degradation when over used. The second 'person' you see in Rapture is a victim of Adam abuse and has lost their mind, becoming a murder happy Splicer. You see them through a small window, gutting the first person you see. So Plasmid use isn't healthy; luckily as the player you will inject yourself with many many plasmids! In a democratic society, regulation, ethical considerations and/or law enforcement of some kind could have led to better safeguards and more thorough testing of Adam. But in Rapture that would be hampering creative genius. Then some sort of conflict began on new years eve 1958, between factions loyal to Ryan and those loyal to somebody named Atlas. With plasmids added to the mix things clearly didn't go so well, and this becomes apparent soon after you 'land'. Things are fucked, to put it mildly. You piece a lot of this together within the first hour or so through the visuals alone. Rapture's beautiful, clean, simple, symmetrical 1920's art deco face is cracking. The imposing bronze sculptures are tarnished and some are toppled; the gold plaques are grimy, and the green marble and ceramic tiles are pitted, shattered and broken. There are leaks everywhere too; maintenance having been largely abandoned. The city is flooding and large parts of it are without power. Machinery is malfunctioning and there are there are bodies all over the place. Many of the dead are in evening wear that is age worn and tattered. Some are wearing masks, like they died during a masked ball. The Splicers are similarly attired but those without masks are horrifyingly deformed. Mutated. The atmosphere is unsettling and meloncholic, and sometimes, when the lights are flickering, casting strange shadows and the faint, nonsensical noises of one of Rapture's mad citizens are getting ever louder, and closer, the game is outright frightening. This would be a decent way to tell a story but there are also audiologs made by the citizens before things went to shit, and NPCs that aren't currently trying to kill you. When taken together this is world building at its finest. Later on you'll start learning about the player character and their connection to Rapture, the two philosophies of Ryan and Atlas and the ultimate fate of the city. This is the game's story and it's wonderfully paced and told, and incredibly immersive. I'd be remiss if I didn't talk about the gameplay, but it's only important as a part of the whole, nothing about the FPS mechanics is outstanding. None of the guns are particularly memorable but they sound meaty enough and can be upgraded, as well as fitted out with different ammo types. You can also hack cameras and sentry bots to help you in combat, and these skills, along with heath and energy can be levelled up. You need the energy to use plasmids. There are a large number of plasmids, some of which you find and others you have to buy. They too can be levelled up and range from basic magical attacks like incinerate, winter blast and electrobolt, which are pretty self explanatory, to more tactical ones such as telekinesis, a decoy and one that charms enemies to fight for you. Enemy variety is a rather limited, there are only a few different types of Splicer, but each benefits from a slightly different approach to takedown, and there are generally plasmids that are better at countering certain Splicers. Encounters can be hectic if there are multiple Splicer types and then there are the big baddies. Not Splicers themselves, these armoured giants stomp around Rapture often in the footsteps of small girls. These little sisters are Adam gatherers* and you need Adam to buy plasmids, but before you can deal with the little sisters you have to get rid of daddy. Now you can just leave these pairings be when you encounter them, and as long as you don't get too close to the child the big daddy won't attack. It's always worth it though, and these fights can be some of the best, and worst when they're messy, in the game, requiring lots of ammo and plasmid use. This is where the game's morality system comes into play, you can 'harvest' the little sisters for a large amount of Adam, killing them, or release them from their drugged servitude, saving them for little material gain. It's one of those shit good/evil binary choices that video games do, that are never really choices because the good option is obviously the one to go, especially if it effects the ending. You're not even really punished for choosing the good option because after you've saved enough little sisters they'll drop off presents stuffed with Adam. It's definitely one of the most poorly thought out aspects of BioShock, along with the hacking mini game. Nothings perfect though. I've wasted enough of your time. Bioshock is a fantastic game worthy of its iconic status; it's beautiful, dark, deep,, smart, engrossing and unforgettable. Get it. Now. Would you kindly give me all your points. *They get it from the dead
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For years I have heard that this game is a must play, with amazing story and gameplay, so for years I waited until i have the opportunity to play this game and now that I have finished it, I can say that I am very satisfied. First of alll i need to tell you that I am easily scared of slightly spooky games, they don't even need to be horror. When i played this for the first time i was shivering like the coward i am. For the majority of the game (specifically before starting Apollo Square) I was kind of scared due to the amazing soundtrack, ambience, and sound effects. What I'm trying to say is that this game is BRIMMING with atmosphere. The gameplay is pretty good, a wide arrange of weapons, abilities, and upgrades can lead to many different strategies and builds to help progress the game. While I did run into some glitches and experienced a couple of crashes, my game generally ran very well. The game may start off a little creepy and unsettling, but for the people who can play horror games well, this won't give you a big scare, though some jumpscares truly made me jump (I am a scaredy cat after all). So yeah, it's an amazing game, i really liked it and definitely would recommend! Note: I have only playe dthe original and have yet to play the remaster so i cannot say anything about that version's performance
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Welcome to Rapture! Following a plane crash in the middle of the ocean, the hero we play is the only survivor swimming in the middle of the flames, doomed to death. However, he manages to enter a strange building that emerges in the night. He will very quickly discover an underwater city created by a man who wanted to invent a perfect society, a utopia made reality. But obviously everything went to hell, the inhabitants all went crazy and thirsty for blood. Spiritual heir to System Shock which had already marked its era on PC, Bioshock proves to be the perfect marriage between FPS and narration, plunging the player into a waking nightmare. The omnipresent madness will not let him go. If it is a masterpiece, it is as much for its sublime dystopia (the artistic direction is brilliant) as for its original gameplay: in addition to the plasmids, sorts of psycho-powers - the lure got me out of many desperate situations - it is in the appropriation of the environment that the game reveals all its richness: we can in fact hack turrets and other cannons to turn the situation to our advantage. So, to hope to defeat the imposing and powerful protectors of little girls, it is better to prepare the ground and lure them into our traps. It is also in difficult mode that Bioshock reveals all its flavor, the clashes becoming Dantesque with these tanks in diving suits. In short, a unique, dark, tense, completely crazy FPS, a must-do!!
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Last Updates| Steam data | 28 March 2025 10:17 |
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| SteamSpy data | 26 March 2025 04:15 |
| Steam price | 03 April 2025 04:45 |
| Steam reviews | 01 April 2025 23:54 |
If you'd like to dive deeper into the details about BioShock™, we invite you to check out a few dedicated websites that offer extensive information and insights. These platforms provide valuable data, analysis, and user-generated reports to enhance your understanding of the game and its performance.
- SteamDB - A comprehensive database of everything on Steam about BioShock™
- SteamCharts - Analysis of BioShock™ concurrent players on Steam
- ProtonDB - Crowdsourced reports on Linux and Steam Deck BioShock™ compatibility
Online players
80
Developer
2K Boston,
2K Australia
Publisher
2K
Release
21 Aug 2007
Platforms